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Golf instruction consists of five primary skills: shots from a tee (most notable: driving that uses a driver), full shots from the ground (mostly known as "iron shots", pitching (or 3/4 shots designed for distance control, chipping (short shots around the green the require less than a full swing), putting (1 club preferably "the putter") and course strategy or gamesmanship.
The golf swing is a complex motion involving the whole body; the technicalities of the swing are known as golf stroke mechanics. There are differing opinions on what constitutes a "good" golf swing. [1] In Work and Power Analysis of the Golf Swing, Nesbit and Serrano suggest the golf swing has been studied by scientists and mathematicians who have
Bennett and Plummer wrote, with Peter Morrice, the book The Stack and Tilt Swing (ISBN 978-1-592-40447-6).The "Stack and Tilt" model prescribes keeping the body weight forward during the whole swing, straightening the back leg through back swing and performing a steep shoulder turn, all in order to keep the shoulder turn axis in place.
The tresillo pattern is the rhythmic basis of the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [2] [3] Tresillo-based tumbao from "Alza los pies Congo", by Septeto Habanero (1925). Play ⓘ Often the last note of the measure is held over the downbeat of the next measure.
[1] [3] [4] Golfer's elbow appears to occur from repetitive full swings during the period from the top of the backswing to just before ball impact. [1] The full swing motion causes high energy valgus forces during the late cocking (backswing in golf) and acceleration phase (downswing and impact). [1]
Prior to his work at the Sea Pines/Harbour Town Golf Links, Trahan ran golf schools in Florida and was head golf professional at Pinetree Country Club in Kennesaw, Georgia. In the mid-1990s, Trahan was co-owner and Director of Golf at the Links O'Tryon in Campobello, South Carolina , the number one rated semi-private golf club in South Carolina ...
It can also be heard as 1-2-1-2 1-2-1-2-1-2. Essentially, it is the rhythm of the tambora applied to conga. In merengue típico (or cibaeño ), the rhythm is usually more complex and less standardized; it can range from simply hitting the conga on a fourth beat to playing full patterns that mark the time.
The leader steps sideways to the left on count 1, back onto the right foot on count 2, forward with the left foot on count 3, then a cha-cha consisting of a step sideways to the right on count 4 followed by a step in place on the left foot on "and" between count four and count 5 to permit another step sideways to the right on count 5 (or count ...
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