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The Dead at Clonmacnoise is a 14th-century poem by Aongus Ó Giolláin. It commemorates the many royal kings and princes of Ireland that were buried there. It commemorates the many royal kings and princes of Ireland that were buried there.
"The Poet's Burial for Love" survives in 11 manuscripts, [5] a comparatively small number for a poem attributed to Dafydd ap Gwilym. [4] They are mostly rather late, dating from the 17th and 18th centuries, with the exception of National Library of Wales MS Brogyntyn 1, which can be dated to c. 1553.
It concerns the murder at Carraig an Ime, County Cork, of Art, at the hands of the Irish MP Abraham Morris, and the aftermath. It is one of the key texts in the corpus of Irish oral literature. The poem was composed extempore and follows the rhythmic and societal conventions associated with keening and the traditional Irish wake respectively.
"Mná na hÉireann" (English: Women of Ireland) is a poem written by Irish poet Peadar Ó Doirnín (1700–1769), most famous as a song, and especially since set to an air composed by Seán Ó Riada (1931–1971). Peadar Ó Doirnín lived in Forkhill in south Armagh, Ireland and is buried in Urnaí graveyard nearby in County Louth.
"The Lament for Owen Roe" is a traditional Irish ballad dating from the nineteenth century. With a mournful tune, based on an eighteenth-century composition called Lament for Owen Roe O'Neill by the harpist Turlough O'Carolan , it is a lament for the death of Owen Roe O'Neill .
Eibhlín Dubh Ní Chonaill (also known as Eileen O'Connell, c. 1743 – c. 1800) was a member of the Irish gentry and a poet. She was the main composer of Caoineadh Airt Uí Laoghaire, a traditional lament in Irish described (in its written form) as the greatest poem composed in either Ireland or Britain during the eighteenth century.
The newly created Irish Poetry Reading Archive (IPRA) is building into a comprehensive web-based library of Irish poets. Hosted by UCD’s Digital Library, a part of the university's James Joyce Library, it has an archive of contemporary Irish poets. These include established and emerging poets in both the English and Irish languages ...
Keening, which can be seen as a form of sean-nós singing, is performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is known as a coronach). Keening was once an integral part of the formal Irish funeral ritual, but declined from the 18th century and became almost completely extinct by the middle of the 20th ...