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A vintage Takamine 12-string with a requinto style set-up. The Mexican twelve-string guitar, also known as a requinto-style or Sierreño-style guitar, is a modified twelve-string guitar. It can approximate the sound of a bajo sexto or bajo quinto and play regional Mexican styles, such as norteño, Tejano (Tex-Mex), and conjunto (música ...
Standard Series models included the F-30, F-30R, F-50, D-40, D-50, and the return of the F-212XL 12-string model. All Standard Series models featured red spruce bracing, satin mahogany necks, and bone saddles, nuts, and bridge pins, but have nondescript grade wood and different ornamentation than their Traditional Series counterparts.
An acoustic 12-string guitar hand-crafted in 1977. A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned ...
On a cello, the strings are attached to the tailpiece and are held above the soundboard by the bridge.. A bridge is a device that supports the strings on a stringed musical instrument and transmits the vibration of those strings to another structural component of the instrument—typically a soundboard, such as the top of a guitar or violin—which transfers the sound to the surrounding air.
A stoptail bridge (sometimes also called a stopbar bridge) used on a solid body electric guitar or archtop guitar is a specialized kind of fixed hard-tail bridge. Hard-tail bridged guitars use different bridges from those guitars fitted with vibrato systems (which are also known as tremolo arms or whammy bars).
The A24 is a 12 string acoustic guitar, with a solid –but relatively thin– spruce top, rosewood sides and back and a mahogany neck with rosewood fingerboard. They had a zero fret and a screw adjustable bridge modeled after the Gibson Heritage Jumbo bridge of that period. They sold new for around $140 in the mid-1970s.
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