Search results
Results from the WOW.Com Content Network
According to testimony by the Glatzel family, 12-year-old David Glatzel allegedly had played host to a demon. After witnessing a number of increasingly ominous occurrences involving David, his family, exhausted and terrified, decided to enlist the aid of Ed and Lorraine Warren in a last-ditch effort to "cure" the child.
In 1981, demonologists Ed and Lorraine Warren document the exorcism of 8-year-old David Glatzel, attended by his family, his older sister Debbie, her boyfriend Arne Johnson, and Father Gordon in Brookfield, Connecticut. In an attempt to save the little boy, Arne invites the demon to enter his body instead of David's.
The Daily Beast commented that the recordings of David Glatzel's alleged possession, obtained via microphones placed by the Warrens at the time, sounded "like a young kid straining to say wildly profane things." [16] A Good Movie to Watch stated that Netflix "should try harder". [17]
The new Netflix documentary 'The Devil on Trial' explores the one and only time that "demonic possession" was ever used as a legal defense.
That's why some of the most iconic and successful scary movies are based on things that actually happened in the real world. ... the body of 11-year-old David Glatzel and then moved to Johnson ...
From ‘Don’t F**k With Cats’ to ‘Blackfish,' ‘Wild Wild Country,' and more, Netflix is loaded with true crime documentaries
In 1980, Debbie Glatzel and Arne Cheyenne Johnson move into a new home in Connecticut. When Debbie's 12-year-old brother David helps them with the move, he becomes the target of a demon and begins to strike at David and cause harm to the other family members. The situation gets worse as the demon would then possess David for short periods of time.
What Really Happened to the Class of '65? is an American anthology drama television series produced and aired in 1977–1978, [1] [2] created by Tony Bill. The series was inspired by the bestselling book What Really Happened to the Class of '65? by David Wallechinsky and Michael Medved. It was produced by George Eckstein. [3]