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from the album Escape. " Don't Stop Believin' " is a song by American rock band Journey. It was released in October 1981 as the second single from the group's seventh studio album, Escape (1981), released through Columbia Records. "Don't Stop Believin ' " shares writing credits between the band's vocalist Steve Perry, guitarist Neal Schon, and ...
Escape was the band's first album with keyboardist Jonathan Cain, who replaced founding member Gregg Rolie after he left the band at the end of 1980. The album was co-produced by former Lynyrd Skynyrd sound technician Kevin Elson and one-time Queen engineer Mike Stone, who also engineered the album.
The song is the opening track on The Human League's Dare album, recorded at Genetic Studios in the summer of 1981. It was produced by Martin Rushent. The song is a tribute to the simple pleasures in life which are then juxtaposed against a greater ambition. Philip Oakey namechecks some of his and Philip Adrian Wright 's favourite things, an ...
Lovin', Touchin', Squeezin'. " Lovin', Touchin', Squeezin' " is a song by American rock group Journey released as a single in 1979 from the album Evolution. Lyrically, the song is about a woman who is cheating on her boyfriend, the narrator, but at the end of the song the woman's lover is cheating on her.
Faithfully (song) " Faithfully " is a song by American rock band Journey, released in 1983 as the second single from their album Frontiers. The song was written by keyboardist Jonathan Cain. It peaked at number 12 on the Billboard Hot 100, giving the band their second consecutive top-twenty hit from Frontiers.
Madison Keys (born February 17, 1995) is an American professional tennis player. She has been ranked as high as No. 7 by the Women's Tennis Association (WTA), which she first achieved in October 2016. Keys has contested a Grand Slam singles final at the 2017 US Open, competed at the 2016 WTA Finals, and was a semifinalist at the 2016 Rio Olympics.
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The music and lyrics, as well as the singing, belong to Shelley. [11] The song uses the verse-chorus formal pattern and is in the key of E major. Both the verse and the chorus start with C♯ minor chords (sixth degree in E major, and relative minor key of E major), which "give [the song] a distinctly downbeat, edgy feel."