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Evenlode block-printed fabric. Textile printing is the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour ...
Antimacassars on rail carriage seats. An antimacassar / ˌæntɪməˈkæsər / is a small cloth placed over the backs or arms of chairs, or the head or cushions of a sofa, to prevent soiling of the permanent fabric underneath. [ 1] The name also refers to the cloth flap 'collar' on a sailor's shirt or top, used to keep macassar oil off the uniform.
The conservation and restoration of textiles refers to the processes by which textiles are cared for and maintained to be preserved from future damage. The field falls under the category of art conservation, heritage conservation as well as library preservation, depending on the type of collection. The concept of textile preservation applies to ...
Woodblock printing on textiles. A traditional woodblock printer in Bagh, Madhya Pradesh, India. Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns ...
Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
Woodblock printing. The intricate frontispiece of the Diamond Sutra from Tang dynasty China, the world's earliest printed text containing a date of production, AD 868 ( British Library) Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity ...
The wood collage is a type that emerged somewhat later than paper collage. Kurt Schwitters began experimenting with wood collages in the 1920s after already having given up painting for paper collages. [12] The principle of wood collage is clearly established at least as early as his 'Merz Picture with Candle', dating from the mid to late 1920s.
Scraps of wool fabric from the Bronze Age and Iron Age have been found in the salt mines of Hallstatt Austria. The fabric scraps were residuals of rags used in the mines. The rags, in turn were scraps from worn out garments. The Bronze age fabrics are relatively coarse in part due to the coarse wool available from the sheep at the time.
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