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A 19th-century palm-leaf manuscript called kammawa from Bagan, Myanmar. In Myanmar, the palm-leaf manuscript is called pesa (ပေစာ). In the pre-colonial era, along with folding-book manuscripts, pesa was a primary medium of transcribing texts, including religious scriptures, and administrative and juridical records. [20]
This video was shot in w:Indian Institute of Technology Guwahati during Typography Day 2013 when master craftsman Maga Nayak from Raghurajpur, Puri, Odisha was displaying his work and the process publicly. It has 3 major segments; A) Etching on palm leaf using a stylus. B) Coloring the leaf C) Cleaning and creating a manuscript.
Palm leaves were used as a substitute to paper, even after paper was available for Indic manuscripts. The leaves were commonly used because they were a good surface for pen writing, which created the delicate and decorative handwriting that is known as calligraphy today. Both sides of these leaves were used and they were stacked on top of each ...
These paintings, composed on palm-leaf manuscripts, were created during the 8th-11th Century, under the patronage of Pala rulers. [31] The Jain-Kalpasutra paintings depict the life of the Thirthankara Mahavira and Parashvanath. These paintings of the Jain school are made on palm-leaf or on cloth, and are characterised by short-statured men with ...
The ORI houses over 45,000 Palm leaf manuscript bundles and the 75,000 works on those leaves. The manuscripts are palm leaves cut to a standard size of 150 by 35 mm (5.9 by 1.4 in). Brittle palm leaves are sometimes softened by scrubbing a paste made of ragi and then used by the ancients for writing, similar to the use of papyrus in ancient Egypt.
Palm leaf pattachitra which is in Oriya language known as Tala Pattachitra drawn on palm leaf. First of all palm leaves are left for becoming hard after being taken from the tree. Then these are sewn together to form like a canvas. The images are traced by using black or white ink to fill grooves etched on rows of equal-sized panels of palm ...
These miniatures, depicting Buddhist divinities and scenes from the life of Buddha were painted on the leaves (about 2.25 by 3 inches) of the palm-leaf manuscripts as well as their wooden covers. Most common Buddhist illustrated manuscripts include the texts Astasahasrika Prajnaparamita , [ 23 ] Pancharaksa , Karandavyuha and Kalachakra Tantra .
Indian epigraphy becomes more widespread over the 1st millennium, engraved on the faces of cliffs, on pillars, on tablets of stone, drawn in caves and on rocks, some gouged into the bedrock. Later they were also inscribed on palm leaves, coins, Indian copper plate inscriptions , and on temple walls.