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Solo Sonata for Cello, Op. 25, No. 3 (1923) Drei leichte Stücke for Cello and Piano (1938) Sonata for Double Bass and piano Sonata (1949) Pieces (unaccompanied double bass) (1929) Flute Canonic sonatina for two Flutes, Op. 31, No. 3 (1923) Eight Pieces for Solo Flute (1927) Sonata for Flute and Piano (1936) Sonata for Oboe and Piano (1938)
Paul Hindemith (/ ˈ p aʊ l ˈ h ɪ n d ə m ɪ t / POWL HIN-də-mit; German: [ˌpaʊ̯l ˈhɪndəmɪt] ⓘ; 16 November 1895 – 28 December 1963) was a German and American composer, music theorist, teacher, violist and conductor.
A bassoon sonata is a larger-scale work for bassoon, usually with keyboard accompaniment. Most bassoon sonatas are substantial, multi-movement works, often based on Classical sonata form . Bassoon sonatinas , by comparison, tend to be shorter works, often in a single movement.
Caricature of Hindemith playing viola. Hindemith's Op. 24 consists of two works. The first, Kammermusik Op. 24, No. 1, was composed for a 13-piece orchestra. The second, Kleine Kammermusik, Op. 24, No. 2, was for wind quintet. [5] Like Op. 24, Hindemith's Op. 36 also consists of multiple works, Kammermusik Nos. 2–5.
He was the first to perform Hindemith's three piano sonatas of 1936 in the UK, on Wednesday 1 June 1938 at the Wigmore Hall. [5] He also played with the violinist Carl Flesch . [ 6 ] [ 7 ] With the violinist Maria Lidka and the cellist Christopher Bunting he formed the Reizenstein Trio, and he also performed with two émigré violinists, Max ...
Sonata for two pianos (1929) Red Autumn (1931) Luciano Berio (1925–2003) Wasserklavier (1965) Claude Bolling (1930–2020) Sonata for Two Pianists 1 and 2 (1989) Pierre Boulez (1925–2016) Structures I and II (1952, 1961) Johannes Brahms (1833–1897) Sonata in F minor, Op. 34b (1863) Waltzes, Op. 39 (1865) Variations on a Theme by Haydn, Op ...
Konzertmusik für Streichorchester und Blechbläser (German for Concert Music for String Orchestra and Brass), Op. 50, is a work by Paul Hindemith, composed in 1930.It was one of a large group of pieces commissioned for the 50th anniversary of the Boston Symphony Orchestra by its music director, Serge Koussevitzky (others include the Piano Concerto in G major by Maurice Ravel, the Symphony of ...
Hindemith introduces a non-traditional key signature (G-sharp and F-Sharp only) that sets the music in a whole-tone mode; while the viola does occasionally play runs and phrases with half-steps, the piano persists in the figure G#-F#-E-D, over which the viola builds towards a climax in C-sharp minor, which is the first note of the third movement.
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