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Brian Charette (born November 24, 1972) is an American jazz pianist, Hammond organist, and electronic music producer. He took first place in the 2014 "Downbeat Magazine Critic's Poll Rising Star: Organ" [1] category and "Fan's Decision Jazz Award for Best Organist 2015" [2] in Hot House Magazine.
A modern ambassador of the mighty Hammond B3, organist Pat Bianchi demonstrates a deep knowledge of jazz-organ history yet draws from a wide range of other musical influences. The result is a unique and creative voice that acknowledges the tradition while looking beyond at the same moment.
Robert Walter is an American keyboard player specializing in soul jazz on the Hammond B3 organ and Fender Rhodes. He is best known as a founding member of The Greyboy Allstars . Walter, splits his time between The Greyboy Allstars, his own 20th Congress, and a robust film soundtrack session career in Los Angeles.
Isaac Larry Stubblefield (June 7, 1952 – June 20, 2021) was an American musician, who performed with a wide array of artists on Hammond B3 organ. [ 1 ] Musical career
Influenced by the Hammond organ sounds of Jimmy Smith, Jackie Davis, Jimmy McGriff and Jack McDuff, Frazier focused his musical efforts on the jazz organ. [2] He cut his first album Hail Caesar! in 1972, which featured Prestige Records guitarist Melvin Sparks, drummer Idris Muhammad and tenor saxophonist Houston Person. [5]
Mick Weaver (born 16 June 1944, Bolton, Lancashire, England) is an English session musician, best known for his playing of the Hammond B3 organ. Career [ edit ]
The Sound of 65 is the debut album by rhythm & blues/jazz group The Graham Bond Organisation, featuring its best-known line-up of Graham Bond (vocals, alto saxophone, Hammond B-3 organ and Mellotron), Jack Bruce (vocals, acoustic and electric basses, harmonica), Dick Heckstall-Smith (tenor and soprano saxophone) and Ginger Baker (drums).
Big Organ Trio is an instrumental power trio consisting of Hammond B3 Organ, electric Bass, and Drums. The trio showcases Mangan's improvised soloing and use of effects pedals on the organ, most notably the wah-wah pedal. In 2006 Mangan's trio was signed to P-Vine Records via Velour Records and subsequently toured Japan in 2007. [1]