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The Cathedral of St. Matthew the Apostle in Washington, D.C., most commonly known as St. Matthew's Cathedral, is the seat of the Archbishop of the Roman Catholic Archdiocese of Washington. As St. Matthew's Cathedral and Rectory, it has been listed on the National Register of Historic Places since 1974. [3]
Cesari did indeed paint the fresco on the vault in 1593, [notes 4] as well as two others depicting the Miracle of St. Matthew and two groups of two prophets, [2] but ultimately failed to supply any of the canvases also requested. [4] He did, however, make a preparatory drawing for the Calling of St Matthieu, but went no further. [2]
The decorative cycle began with the painting on the left side of the chapel, invisible to the viewer when first entering the church. It is a large panel of the Calling of St. Matthew, one of Caravaggio's most well-known works. On the right of the composition, Jesus and St. Peter look directly at a seated Matthew, and Jesus points at Matthew ...
The Inspiration of Saint Matthew (1602) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. Commissioned by the French Cardinal Matteo Contarelli, the canvas hangs in Contarelli chapel altar in the church of the French congregation San Luigi dei Francesi in Rome, Italy .
Saint Matthew and the Angel was created as a commission for the Contarelli Chapel. Caravaggio was previously commissioned to paint two scenes of the saint's life, and after the patrons were satisfied with them, a third was commissioned. The Contarelli Chapel was dedicated to Saint Matthew. With funds left for its building in 1585, it was ...
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The Calling of Saint Matthew is an oil painting by Caravaggio that depicts the moment Jesus Christ calls on the tax collector Matthew to follow him. It was completed in 1599–1600 for the Contarelli Chapel in the church of the French congregation, San Luigi dei Francesi in Rome , where it remains.
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