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The Dreaming is the fourth studio album by English singer-songwriter Kate Bush, released on 13 September 1982 by EMI Records.Recorded over two years, the album was produced entirely by Bush and is often characterised as her most uncommercial and experimental release.
"The Dreaming" is the title song from Kate Bush's fourth studio album The Dreaming and was released as a single on 26 July 1982. "The Dreaming" peaked at No. 48 and spent 3 weeks in the UK Singles Chart. [1] The song is about the destruction of Aboriginal Australians' traditional lands by white Australians in their quest for weapons-grade uranium.
"Suspended in Gaffa" is a song recorded by English art rock singer Kate Bush. It was released as the fourth single from her fourth studio album The Dreaming (1982). "Suspended in Gaffa" was released as a single in continental Europe and Australia, but not in the UK.
"There Goes a Tenner" is a song by the English singer Kate Bush. It was released as a single on 1 November 1982, the third to be taken from her album The Dreaming. It was released as a 7-inch single in the UK and Ireland only. The single peaked at No. 93 and spent two weeks in the UK singles chart. [3]
"Night of the Swallow" is a 1982 song by Kate Bush. Written and produced by Bush, it was included on the album The Dreaming. The song has an Irish theme and features many Irish musicians and instruments. It was released as a single in Ireland in November 1983, making it the fifth release from the album. [2]
Kate Bush is ready to run up that music hill again.. During an interview with BBC Radio 4's Today program on Thursday, Oct. 24, the "Army Dreamers" musician, 66, opened up about being "very keen ...
Kate Bush stated in an early interview that the single version was remixed slightly for inclusion on The Dreaming. The vocals were raised higher and the backing track altered to better fit the overall feel of the album. [citation needed] The demo version of "Sat in Your Lap" contains an extra verse at the start, which was later cut.
The sapphic encapsulates the singer’s most melodramatic tendencies: Eighties synths wrapping around her Kate Bush-inspired yodels like a fluffy, purple feather boa. Lyrically, it’s brattish ...
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