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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
(without G.P.: Play ⓘ) A fermata (Italian: [ferˈmaːta]; "from fermare, to stay, or stop"; [2] also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be prolonged beyond the normal duration its note value would ...
[2] [full citation needed] Tenuto is one of the earliest directions to appear in music notation. Notker of St. Gall (c. 840–912) discusses the use of the letter t in plainsong notation as meaning trahere vel tenere debere in one of his letters. The mark's meaning may also be affected when it appears in conjunction with other durational ...
Here T o is the transposition corresponding to t o (or o, according to Schuijer); p i,j is the pitch of the ith tone in P belong to the pitch class (set number) j. [3] Allen Forte defines transposition so as to apply to unordered sets of other than twelve pitches: the addition mod 12 of any integer k in S to every integer p of P.