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The Nurse is a bawdy comic character, and a confidante of Juliet, in Romeo and Juliet. The Nurse helps to deliver Aaron's son to Tamora, in Titus Andronicus. Aaron murders her. Nym (fict) is a follower of Sir John Falstaff in The Merry Wives of Windsor, and a companion of Pistol and Bardolph in Henry V.
An 1870 oil painting by Ford Madox Brown depicting Romeo and Juliet's famous balcony scene. In the beginning of the play, Romeo, the male protagonist, pines for an unrequited love, Rosaline. To cheer him up, his cousin and friend Benvolio, and Mercutio, the Prince's nephew, take him to the Capulets' celebration in disguise, where he meets and ...
A rose by any other name would smell as sweet" is a popular adage from William Shakespeare's play Romeo and Juliet, in which Juliet seems to argue that it does not matter that Romeo is from her family's rival house of Montague. The reference is used to state that the names of things do not affect what they really are.
Romeo Montague (Italian: Romeo Montecchi) is the male protagonist of William Shakespeare's tragedy Romeo and Juliet. The son of Lord Montague and his wife, Lady Montague , he secretly loves and marries Juliet , a member of the rival House of Capulet, through a priest named Friar Laurence .
The final letter n in the Anglicised Duncan seems to be a result of confusion in the Latin form of the name—Duncanus—with the Gaelic word ceann, meaning "head". [1] One opinion is that the Gaelic Donnchadh is composed of the elements donn , meaning "dark or dark-haired man" or "chieftain"; and cath , meaning "battle", together meaning "dark ...
A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]
The play arguably equates love and sex with death. Throughout the story, both Romeo and Juliet, along with the other characters, fantasise about it as a dark being, often equating it with a lover. Capulet, for example, when he first discovers Juliet's (faked) death, describes it as having deflowered his daughter. [43]
For Hazlitt, the essence of Romeo and Juliet is Shakespeare's portrayal of the love that comes with "the ripening of the youthful blood"; [212] and with that love the imagination of the youthful lovers is stirred to dwell not so much on present pleasure but "on all the pleasures they had not experienced. All that was to come of life was theirs.