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Techno is a genre of electronic dance music [2] which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beatrates per minute (bpm).
Basic Channel is a German music duo and record label, composed of Moritz von Oswald and Mark Ernestus, that originated in Berlin in 1993. [2] The duo have also worked under other names, including Rhythm & Sound and Maurizio, and have founded offshoot label imprints such as Chain Reaction and Main Street.
In November 1991, the phrase "intelligent techno" appeared on Usenet in reference to English experimental group Coil's The Snow EP. [21] Off the Internet, the same phrase appeared in both the U.S. and UK music press in late 1992, in reference to Jam & Spoon's Tales from a Danceographic Ocean and the music of the Future Sound of London.
Adult (stylized as ADULT.) is an American band from Detroit, Michigan, formed in 1998 by married couple [1] Nicola Kuperus and Adam Lee Miller. The band integrates vocals with drum machines, analog synthesizers and electronic/punk elements. [2]
This music has a cold, dark feeling while having grandiose synth melodies and, generally, a more trance-like sound than other subgenres of EBM. Vocals have a more prominent place in Futurepop than most other types of trance, and lyrics tend to be focused upon themes of complex human emotion, alienation, extropianism, and existentialism; as well ...
Game is an electronic dance album with elements of J-pop and techno-pop. Nakata's use of techno-pop on the album, as well as in the majority of his collaborations with Perfume, was intended to spark a revival of the genre in the Japanese music industry, with Perfume believing that the sound
Tech house is a subgenre of house music that combines stylistic features of techno with house. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats", with the harmonies and grooves of progressive house.
In 1988, dance music entrepreneur Neil Rushton approached the Belleville Three to license their work for release in the UK. To define the Detroit sound as being distinct from Chicago house, Rushton and the Belleville Three chose the word "techno" for their tracks, a term that Atkins had been using since his Cybotron days ("Techno City" was an early single). [10]