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A different example of the eye-cup shape. Chalkidian black-figure eye-cup, circa 530 BC The bilingual eye-cup by the Andokides painter in the Museo Archeologico Regionale, Palermo (not illustrated), is a prime example of the transition from black-figure vase painting to the red-figure style in the late 6th century to early 5th century BC that commonly resulted in "bilingual" vases, using both ...
He is considered one of the five great vase painters of Sparta. The Arkesilas Cup, name vase of the Arkesilas Painter, circa 565/560 BC; Paris: Cabinet des Médailles. His conventional name is derived from his name vase, the so-called Arkesilas Cup, a kylix now on display at the Cabinet des médailles of the Bibliothèque nationale de France.
The cup would then be placed upside down to attach the handles. The handles would dry in this upside down position, giving the handles a unique upturned curve when the kylix was upright. [5] An oenochoe was a stout wine jug with a distinct pouring lip, and a large handle. The name comes from oinos (wine), and cheo (to pour). [6]
A few surviving vases were labelled with their names in antiquity; these included a hydria depicted on the François Vase and a kylix that declares, “I am the decorated kylix of lovely Phito” (BM, B450). Vases in use are sometimes depicted in paintings on vases, which can help scholars interpret written descriptions.
The Arkesilas Cup is a kylix by the Laconian vase painter known as the Arkesilas Painter, whose name vase it is. It depicts, and is thus named after, Arkesilaos II , king of Kyrene (d. 550 BC) and is dated to about 565–560 BC.
This set includes everything an avid baker or professional host needs, including a large mixing bowl with measurement markings that go up to 10 cups (or 2.5 quarts), as well as ceramic measuring cups.
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