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Svādhyāya (Devanagari: स्वाध्याय) is a Sanskrit term which means self-study and especially the recitation of the Vedas and other sacred texts. [1] [2] [3] It is also a broader concept with several meanings. In various schools of Hinduism, Svadhyaya is a Niyama (virtuous observance) connoting introspection and "study of self ...
Introspection (also referred to as Rufus dialogue, interior monologue, self-talk) is the fiction-writing mode used to convey a character's thoughts. As explained by Renni Browne and Dave King, "One of the great gifts of literature is that it allows for the expression of unexpressed thoughts…"
The most recurrent criticism of autoethnography is of its strong emphasis on self, which is at the core of the resistance to accepting autoethnography as a valuable research method. [citation needed] Thus, autoethnographies have been criticised for being self-indulgent, narcissistic, introspective and individualised. [citation needed]
The phrase "introspection illusion" was coined by Emily Pronin. [5] Pronin describes the illusion as having four components: People give a strong weighting to introspective evidence when assessing themselves. They do not give such a strong weight when assessing others. People disregard their own behaviour when assessing themselves (but not others).
Extraversion and introversion are a central trait dimension in human personality theory. The terms were introduced into psychology by Carl Jung, [1] though both the popular understanding and current psychological usage are not the same as Jung's original concept.
Self-talk involves only one voice talking to itself. For inner dialogue, several voices linked to different positions take turns in a form of imaginary interaction. Other phenomena related to intrapersonal communication include planning, problem-solving, perception, reasoning, self-persuasion, introspection, and dreaming.
That the female Other is a self-aware Woman who is autonomous and independent of the patriarchy's formal subordination of the female sex with the institutional limitations of social convention, tradition, and customary law; the social subordination of women is communicated (denoted and connoted) in the sexist usages of the word Woman.
The Romantic hero is a literary archetype referring to a character that rejects established norms and conventions, has been rejected by society, and has themselves at the center of their own existence. [1] The Romantic hero is often the protagonist in a literary work, and the primary focus is on the character's thoughts rather than their actions.