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Moi, un noir ([mwa œ̃ nwaʁ], "Me, a Black [person]"; also released as I, a Negro) is a 1958 French ethnofiction film directed by Jean Rouch. The film is set in Abidjan , Ivory Coast . Synopsis
In 1957 Rouch directed Moi, un noir in Côte d'Ivoire with the young Nigerien filmmaker Oumarou Ganda, who had recently returned from French military service in Indochina. Ganda became the first great Nigerien film director and actor.
1958: Moi, un noir (Me, A Black Man) by Jean Rouch, France; 1958/59 Indie Matra Bhumi (The Motherland) by Roberto Rossellini, Italy; 1959: Come Back, Africa by Lionel Rogosin, USA; 1961: La pyramide humaine (The Human Pyramid) by Jean Rouch, France; 1962: Rite of Spring by Manoel de Oliveira, Portugal
This is a chronologic list of representative anthropologically-minded films and filmmakers: Part of a series on the Anthropology of art, media, music, dance and film Basic concepts Color symbolism Visual culture Body culture Material culture New media Case studies Art Art of the Americas Indigenous Australian art Oceanic art Film Nanook of the North The Ax Fight Nǃai, the Story of a ǃKung ...
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Filmed as a silent ethnographic piece, Zika helped re-edit the film into a feature-length movie which stood somewhere between documentary and fiction, and provided dialog and commentary for a 1967 release. [9] In 1957 Rouch directed in Côte d'Ivoire Moi un noir with the young Nigerian filmmaker Oumarou Ganda. [3]
Film noir is of course the dark, mysterious genre made popular in the 1940s and '50s and full of long shadows, shady characters, gloomy streets, inky nights and dimly lit rooms.
As an example, Jean Rouch went so far as to hand the camera to the "subject" (and co-author) of Moi, un Noir. Regardless of these practices, one thing is certain: direct cinema had more to do with the ethical considerations in documentary film making than with the technology.
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