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Though the lyric frequently refers to Lucifer Sam as a cat, some speculation has arisen as to whether this was in fact slang ("a hip cat") for a man, real or imagined, in some type of relationship with Barrett's then-girlfriend, Jenny Spires (referred to in the song as "Jennifer Gentle"). [5]
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Rajasthani women used to do ghoomar when they were happy." The song was written 2-3 times as the lyricist wanted to tell a story through "Ghoomar". [6] Turaz, on his track "Ek Dil, Ek Jaan" centred the lyrics of the song one the line "Mohabbat Ke Bina Koi Tarraki Mumkin Nahi Hai" which translates in English to: "Without Love, No Success is ...
In 2005, Eric Frederic began experimenting with music that emphasized the effects of auto-tune, an approach which was, at the time, still relatively uncommon. [3] Frederic named this solo project Wallpaper, and developed the alter-ego of Ricky Reed as Wallpaper's lead singer; Reed was described as rude, reckless, and irresponsible, and was intended to personify everything Frederic disliked ...
MC Skat Kat was created by Michael Patterson and performed by the Wild Pair duo of Bruce DeShazer and Marv Gunn on "Opposites Attract". MC Skat Kat's rap was written and performed by Derrick Stevens, although Romany Malco, who did the majority of the writing for the M.C. Skat Kat & the Stray Mob album, is often mistakenly credited for being the voice of the rap on Opposites Attract, a story ...
Nyan Cat. Nyan Cat is a YouTube video uploaded in April 2011, which became an Internet meme. The video merged a Japanese pop song with an animated cartoon cat with a Pop-Tart for a torso flying through space and leaving a rainbow trail behind. The video ranked at number five on the list of most viewed YouTube videos in 2011. [1]
"Copycat" (stylized in all caps) is a song recorded by American singer-songwriter Billie Eilish. It was released by Darkroom and Interscope Records as the fourth single from Eilish's debut studio EP, Don't Smile at Me (2017). Eilish and her brother, Finneas O'Connell, co-wrote the song
Vol. 3 is credited as Slipknot's first to incorporate more traditional, melodic song structures, guitar solos and acoustic instruments. The album received generally positive reviews. Slipknot was praised by AllMusic for its "dedication to making it a Slipknot album", [ 4 ] while Q added that the album was "a triumph". [ 5 ]