Search results
Results from the WOW.Com Content Network
Argentina, 1985 is a 2022 historical legal drama film produced and directed by Santiago Mitre. Written by Mitre and Mariano Llinás , it stars Ricardo Darín , Peter Lanzani , Alejandra Flechner, and Norman Briski .
This page was last edited on 31 January 2025, at 05:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Most watched films of 2024 Rank Title Admissions 1 Muchachos, la película de la gente [] ‡ : 198,714 2 Kill the Jockey (El jockey) : 119,162 3 Nine Queens (Nueve reinas) † ...
In the 2022 list, Leonardo Favio was the director with the greatest presence among the top 100 films, with eight titles. [1]The 100 Greatest Films of Argentine Cinema (Spanish: Las 100 mejores películas del cine argentino), also known as the Survey of Argentine cinema (Spanish: Encuesta de cine argentino), are a series of opinion polls carried out to establish a list of the greatest films of ...
El encargado (English: The Boss) is an Argentine comedy drama television series created by Mariano Cohn and Gastón Duprat originally for Star+. Guillermo Francella stars in the lead role of Eliseo, a doorman at a high-class apartment building in Belgrano, Buenos Aires, who deals with some problems with the neighbors who don't want him anymore as doorman and want to remove his job.
Most watched films of 2023 Rank Title Admissions 1 Muchachos, la película de la gente []: 843,300 2 The Extortion (La extorsión) : 528,762 3 Elijo creer []: 491,629 4 When Evil Lurks (Cuando acecha la maldad)
The Crimes That Bind (Spanish: Crímenes de familia) is a 2020 Argentine psychological thriller film directed by Sebastián Schindel, written by Pablo Del Teso and Sebastián Schindel and starring Cecilia Roth, Miguel Ángel Solá and Sofía Gala Castiglione. [1] The Crimes That Bind was released on August 20, 2020 on Netflix. [2]
Fernando López of La Nación gave a positive review ("good"), writing that the "solid debut" film by Miguel Cohan featured "no gimmicks, no appeals to easy emotion, no sobering speeches, no underlinings", and "no manichaeism in the portrayal of characters", whereas the elaborate screenplay (perhaps "overly elaborate") deals with the likes of "guilt, hypocrisy, individualism, irresponsibility".