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English: Anni Albers (1899–1994) Design for Wall Hanging 1925 Gouache on paper 33.5 x 26.5 cm moma ... Utilisateur:Malik2Mars/Anni Albers; Usage on zh.wikipedia.org
4. Ombre Wreath. Best for: Rainbow Centerpieces. This au courant ombre wreath takes holiday cheer to a whole new level. Made from dried and preserved flax, we love how these jewel-toned colors ...
In 1925, Fleischmann married Josef Albers, the latter having rapidly become a "Junior Master" at the Bauhaus. [6] The school moved to Dessau in 1926, and a new focus on production rather than craft at the Bauhaus prompted Anni Albers to develop many functionally unique textiles combining properties of light reflection, sound absorption, durability, and minimized wrinkling and warping tendencies.
The 19 December 1968 Press release by the Museum of Modern Art for the exhibition Wall Hangings states: "During the last 10 years, developments in weaving have caused us to revise our concepts of this craft and view the work within the context of twenty-first century art. The weavers from eight countries represented in this exhibition are not ...
English: Anni Albers (1899–1994) Design for a Jacquard Weaving 1926 Black ink, transparent and opaque watercolour and graphite on cream wove paper Image: 25.8 x 16.3 cm Sheet: 34.3 x 28.6 cm Harvard Art Museums, Cambridge, Massachusetts
The Federal Art Project (1935–1943) of the Works Progress Administration was the largest of the New Deal art projects. [1] As many as 10,000 artists [2] were employed to create murals, easel paintings, sculpture, graphic art, posters, photography, Index of American Design documentation, theatre scenic design, and arts and crafts. [3]
Architype Albers is a modular stencil sans-serif typeface based upon a series of experiments between 1926 and 1931 by Josef Albers (1888–1976), German designer, educator and typographer. The Architype Albers typeface is one of a collection of several revivals of early twentieth century typographic experimentation designed by Freda Sack and ...
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