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2. Rondo for Piano and Orchestra (Beethoven) - Wikipedia

   en.wikipedia.org/wiki/Rondo_for_piano_and...

   Ludwig van Beethoven's Rondo for Piano and Orchestra in B-flat major, WoO 6 was composed in 1793 and originally intended as the final movement for his second piano concerto. [1] Hans-Werner Küthen states this was probably the finale for the first and second versions of the second piano concerto, being replaced by the final version of the rondo ...

3. Piano Sonata No. 13 (Mozart) - Wikipedia

   en.wikipedia.org/wiki/Piano_Sonata_No._13_(Mozart)

   The third movement, a sonata-rondo, shows much similarity to the first by chord pattern and by music phrases. The first part starts simply but playfully. The theme is repeated but with the broken chords accompanying the melody. The mood slowly softens but a difficult melody is quickly established. It builds up and ends at a climax.

4. Piano Sonata No. 11 (Beethoven) - Wikipedia

   en.wikipedia.org/wiki/Piano_Sonata_No._11...

   The first 30 measures of the Menuetto are in B ♭ major, the Minore is in G minor (the relative key of B-flat). The end of the Minore is marked Menuetto D.C. senza replica which means to play the Menuetto again, this time without taking the repeats. This is the shortest movement.

5. B-flat major - Wikipedia

   en.wikipedia.org/wiki/B-flat_major

   B-flat major is a major scale based on B ... The scale degree chords of B-flat major are: ... Faschingsschwank aus Wien for piano, Op. 26; Franz Liszt.

6. Piano Sonata No. 29 (Beethoven) - Wikipedia

   en.wikipedia.org/wiki/Piano_Sonata_No._29...

   The Piano Sonata No. 29 in B ♭ major, Op. 106 (known as the Große Sonate für das Hammerklavier, or more simply as the Hammerklavier) by Ludwig van Beethoven was composed in 1817 and published in 1818. The sonata is widely viewed as one of the most important works of the composer's third period and among the greatest piano sonatas of all time.

7. Flat (music) - Wikipedia

   en.wikipedia.org/wiki/Flat_(music)

   The flat symbol, ♭, is a stylised lowercase b, derived from Italian be molle for "soft B" and German blatt for "planar, dull". It indicates that the note to which it is applied is played one semitone lower, or in modern tuning exactly 100 cents .