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Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
Baritone range: The vocal range of the baritone lies between the bass and tenor ranges, overlapping both of them. The typical baritone range is from A2 (the second A below middle C) to A4 (the A above middle C). A baritone's range might extend down to F2 or up to C5. The baritone is the most common type of male voice. [6]
Diagram of treble, alto and bass clefs with identical-sounding musical notes aligned vertically Middle C represented on (from left to right) treble, alto, tenor and bass clefs Three clefs aligned to middle C. A clef (from French: clef 'key') is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical ...
There really is no "standard" tuning for baritone guitar; choice of tuning depends on instrument, stringing, and player's preferences. Guitar, bass: 4 strings 4 courses. Standard/common: E 1 A 1 D 2 G 2. Alternates: D 1 A 1 D 2 G 2; D 1 G 1 C 2 F 2; Bass, electric bass, 4-string bass, Fender bass USA First U.S. patent filed by Leo Fender on ...
For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano. A voice teacher would therefore look to see whether the singer was more comfortable singing higher, or lower. If she were more comfortable singing higher, then the teacher would probably classify her as a soprano.
Baritone: The baritone often completes the chord with a medium voice, usually slightly below the lead, but sometimes above it. While the baritone's part by itself does not sound as "melodious" as the other three, the baritone is a fundamental role in the quartet to filling in the missing notes and giving each chord a fuller sound.
Alto, like the other three standard modern choral voice classifications (soprano, tenor and bass) was originally intended to describe a part within a homophonic or polyphonic texture, rather than an individual voice type; [3] neither are the terms alto and contralto interchangeable or synonymous, though they are often treated as such. [citation ...