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From chic fur hats and cozy knit pants to '80s-inspired bold jewelry and slicks of red lipstick, the après-ski glam trend is a total winter wonderland for fashionistas who want to channel their ...
Punk clothing sometimes incorporated everyday objects for aesthetic effect. Many outfits were made out pieces of clothing that were readily available, either from secondhand stores or whatever kids had on hand. [28] Emphasizing a DIY ethos, many punks utilized jean and leather jackets as canvases for pins, paint, and spikes. [29]
In terms of aesthetics, the material is a combination of texture, color, and pattern. Material for clothing include fabric (cloth, fur, leather) and accessories (buttons, zips, gemstones, and embellishments, etc.). These aesthetic elements work together to determine how the material looks, fits, and feels. [11]
The clothing associated with heavy metal has its roots in the biker, [1] rocker, and leather subcultures.Heavy metal fashion includes elements such as leather jackets; combat boots, studded belts, hi-top basketball shoes (more common with old school thrash metalheads); blue or black jeans, camouflage pants and shorts, and denim jackets or kutte vests, often adorned with badges, pins and patches.
2.1.1 Y2K fashion American, British and Western European Fashion in the 2000s was profoundly influenced by technology. Around this time, there was a monochromatic futuristic approach to fashion, [14] with metallics, shiny blacks, heavy use of gray, straps, and buckles becoming commonplace.
More simple early 1970s trends for women included fitted blazers (coming in a multitude of fabrics along with wide lapels), long and short dresses, mini skirts, maxi evening gowns, hot pants (extremely brief, tight-fitting shorts) paired with skin-tight T-shirts, [18] his & hers outfits (matching outfits that were nearly identical to each other ...
The "Golden Age" of the glamour in Hollywood was the 1930s and 1940s, following the Great Depression and its aftermath. [5]"Glamour is the result of chiaroscuro, the play of light on the landscape of the face, the use of the surroundings through the composition, through the shaft of the hair and creating mysterious shadows in the eyes.
David Bowie as his alter-ego Ziggy Stardust during the 1972–73 Ziggy Stardust Tour. Glam rock can be seen as a fashion as well as musical subgenre. [10] Glam artists rejected the revolutionary rhetoric of the late 1960s rock scene, instead glorifying decadence, superficiality, and the simple structures of earlier pop music.