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MIDI & foot switch The Yamaha RM1x is a groovebox manufactured by Yamaha from 1999 to 2002. It integrates several, commonly separate, pieces of music composition and performance hardware into a single unit: a step-programmable drum machine , a synthesizer , a music sequencer , and a control surface.
The Controller's FSR technology allows it to be extremely sensitive to any touch, and can recognize damping, [1] tapping, etc. Performers can program the MalletKAT by depressing an "Edit" footswitch and then choosing functions to edit based on text written beneath the pads. They can then use pads marked "Increment," "Decrement," "Forward," and ...
The 12 step foot controller is the first Keith McMillen Instruments-designed pedal keyboard-style MIDI controller. The 12 Step foot controller is a bass pedal-style programmable MIDI controller pedal keyboard made by Keith McMillen Instruments which was released in 2011. It has small, soft, rubbery keys that are played with the feet.
A Roland keytar, keyboard MIDI controller designed to be worn with a shoulder strap during performance.The keytar does not produce any musical sounds by itself. As a MIDI controller, it only sends data about which keys or buttons are pressed to a MIDI-compatible sound module or synthesizer, which then produces the sounds.
MIDI Sync, USB port, footswitch The BeatBuddy is a digital drum machine made by Singular Sound which is housed in the form of a stompbox unit . The floor-based format and pedal footswitch enables musicians (like guitar, bass and keyboard players, among others) to control the device "hands-free" while they are performing an instrument with their ...
MIDI, sustain pedal, program footswitch Akai AX80 synthesizer The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. [ 2 ]
The sequencer can be set to slave or master clock, via MIDI or tape, and optionally controlled for play, record and punch-in via a footswitch. Sequences of up to 999 bars can be chained to "songs", with programmable number of repetitions for each, or sequenced live, since a currently selected sequence will play only after the previous one ends.
It is also the first Mesa amp to feature MIDI connections, which can control the channel switching, as well as controlling the FX loop and graphic EQs. Much like the Mark 5:25, the JP-2C features a built-in CabClone. The amp also features a switch to drop the amp's wattage down to 60 watts for use in smaller venues or recording.
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