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The track "Rain and Dole and Tea" features Maggie Reilly, best known for her collaboration with the composer Mike Oldfield, on vocals, [1] which in a remixed form was released as a single. The album spent one week at number 94 in the UK Albums Chart. [6] Fire & Water was reissued on CD by Edsel Records in April 2008, [7] remastered from the ...
Music can provide many psychological benefits including stress reduction, improved memory, and general improvement to cognitive performance. [3] Research shows that the activity of listening to music can aid individuals in detaching from their surroundings [ clarification needed ] and help them focus on their own thoughts and actions. [ 4 ]
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
Fire Burning in Snow has a duration of roughly 11 minutes and is composed in three movements set to the poems of Nicki Jackowska, which Bray described as "a collection portraying lost love and a search for a way forward from this 'place'." [1] The movements are thus titled: Moonshot; Loose Ends; Occupations
Let It Snow!", also known as simply "Let It Snow", [1] is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945 in Hollywood, California, during a heatwave as Cahn and Styne imagined cooler conditions.
Live versions of the song have officially released on the albums Hard Rain in 1976 and Bob Dylan at Budokan in 1979. [11] Dylan's live performance debut of the song during the Rolling Thunder Revue tour was described by Trager as having a "blustery, metallic edge complete with screeching electric guitar crescendos". [ 2 ]
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The sound recording was done at multiple studios in China and Japan, and the mixing and mastering was done by music engineers Simon Rhodes and Simon Gibson of Abbey Road Studios in London. The recording process took around one and half months; the production for four months in total with preliminary communication accounted for. [20]