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Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♭ or ♯ can be added. In the key of C major, an E ♭ triad would be notated as ♭ 3.
B-flat major is a major scale based on B ... The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor;
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Some fixed just intonation scales and systems, such as the diatonic scale above, produce wolf intervals when the approximately equivalent flat note is substituted for a sharp note not available in the scale, or vice versa. The above scale allows a minor tone to occur next to a semitone which produces the awkward ratio 32:27 for D→F, and still ...
Chord type Major: Major chord: Minor: ... Major Dominant seventh flat five chord: ... List of musical scales and modes; List of set classes;
The chord progression for Locrian starting on B is B dim 5, C Maj, D min, E min, F Maj, G Maj, A min. Its tonic chord is a diminished triad (B dim = B dim 5 min 3 = B D F, in the Locrian mode using the white-key diatonic scale with starting note B, corresponding to a C major scale starting on its 7th tone). This mode's diminished fifth and the ...
The same major scale also has three minor chords, the supertonic chord (ii), mediant chord (iii), and submediant chord (vi), respectively. These chords stand in the same relationship to one another (in the relative minor key ) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the ...
"The Pythagorean system would appear to be ideal because of the purity of the fifths, but some consider other intervals, particularly the major third, to be so badly out of tune that major chords [may be considered] a dissonance." [2] The Pythagorean scale is any scale which can be constructed from only pure perfect fifths (3:2) and octaves (2: ...