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The Awakening is a novel by Kate Chopin, first published on 22 April 1899.Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South.
Mae Carol Jemison was born in Decatur, Alabama, on October 17, 1956, [1] [2] the youngest of three children of Charlie Jemison and Dorothy Jemison (née Green). [3] Her father was a maintenance supervisor for a charity organization, and her mother worked most of her career as an elementary school teacher of English and math at the Ludwig van Beethoven Elementary School in Chicago, Illinois.
Awakening (comics), a number of titles Awakening, a 2017 non-fiction book by Nathaniel Frank; Awakenings, a 1990 non-fiction book by Oliver Sacks; Awakening, a 2008 novella by Judith Berman
Makers: Women Who Make America is a 2013 documentary film about the struggle for women's equality in the United States during the last five decades of the 20th century. The film was narrated by Meryl Streep and distributed by the Public Broadcasting Service as a three-part, three-hour television documentary in February 2013.
Use of NASA logos, insignia and emblems is restricted per U.S. law 14 CFR 1221.; The NASA website hosts a large number of images from the Soviet/Russian space agency, and other non-American space agencies.
The Awakening (Original Motion Picture Soundtrack) is the soundtrack to the 2011 film of the same name directed by Nick Murphy.The original score is composed by Daniel Pemberton in his maiden feature film.
Their Eyes Were Watching God is a 1937 novel by American writer Zora Neale Hurston.It is considered a classic of the Harlem Renaissance, [1] and Hurston's best known work. The novel explores protagonist Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny".
In spite of this Xiangyun is openhearted and cheerful. A comparatively androgynous beauty, Xiangyun looks good in men's clothes (once she put on Baoyu's clothes and Grandmother Jia thought she was a man), and loves to drink. She is forthright and without tact, but her forgiving nature takes the sting from her casually truthful remarks.