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Rhyme royal (or rime royal) is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. [1] The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries.
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
The Parliament of Birds, an 18th-century oil painting by Karl Wilhelm de Hamilton. The Parlement of Foules (modernized: Parliament of Fowls), also called the Parlement of Briddes (Parliament of Birds) or the Assemble of Foules (Assembly of Fowls), is a poem by Geoffrey Chaucer (c. 1340s–1400) made up of approximately 700 lines.
The metrical form of "The Monk's Tale" is the most complex of all the pilgrims', an eight-line stanza with rhyme scheme ABABBCBC. Usually, a strong, syntactical link exists between the fourth and fifth lines, which some literary theorists feel prevents the stanza from breaking in half.
The Floure and the Leafe is an anonymous Middle English allegorical poem in 595 lines of rhyme royal, written around 1470.During the 17th, 18th, and most of the 19th century it was mistakenly believed to be the work of Geoffrey Chaucer, and was generally considered to be one of his finest poems. [1]
Chaucer's meter would later develop into the heroic meter of the 15th and 16th centuries sometimes known as riding rhyme, and is an ancestor of iambic pentameter. Chaucer's verse is usually also characterised by couplet rhyme , but he avoided allowing couplets to become too prominent in The Canterbury Tales , and four of the tales (the Man of ...
Geoffrey Chaucer, The Book of the Duchess, ed. by Helen Phillips, Durham and St. Andrews Medieval Texts, 3 (Durham: Durham and St. Andrews Medieval Texts, 1982), ISBN 0950598925 'Book of the duchesse', in The complete works of Geoffrey Chaucer, ed. by Walter William Skeat (London: Oxford University Press, 1937), pp. 83–96.
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