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Although mostly active in Italy, particularly in Naples, José de Ribera (1591–1652) considered himself Spanish, and his style is sometimes used as an example of the extremes of Counter-Reformation Spanish art. His work was very influential (largely through the circulation of his drawing and prints throughout Europe) and developed ...
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. [1] This new focus in art, literature, quotes and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in ...
The works he produced in Italy belong to the history of the Italian art, and those he produced in Spain to the history of Spanish art". [ 51 ] The Welsh art historian David Davies seeks the roots of El Greco's style in the intellectual sources of his Greek-Christian education and in the world of his recollections from the liturgical and ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
The style was later influenced by Flemish Baroque painting, as the Spanish Habsburgs ruled over an area of the Netherlands during this period. The arrival of Flemish painter Peter Paul Rubens in Spain, who visited the country in 1603 and 1628, also had some influence Spanish painting. However, it was the profusion of his works, as well as those ...
Hispano-Flemish style is a term coined by the Spanish art historian Elías Tormo to designate works of art produced in Spain in a hybrid style that shows elements of Northern Renaissance artistic innovations together with elements of medieval Iberian artistic traditions, predominantly Mudéjar.
Italian painting after the 1520s, with the notable exception of the art of Venice, developed into Mannerism, a highly sophisticated style, striving for effect, that concerned many churchmen as lacking appeal for the mass of the population. Church pressure to restrain religious imagery affected art from the 1530s and resulted in the decrees of ...
Italian art during the 17th century was predominantly Baroque in essence. 17th-century Italian Baroque art was similar in style and subject matter to that during the same period in Spain - characterised by rich, dark colours, and often religious themes relating notably to martyrdom, and also the presence of several still lifes.