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[14] Fromm contends that this is because of the above attitudes to love, and the neglect of love as an art form, which he states means that it consists of both theory and practice. To master love, however, requires more than learning the theory and implementing the practice, but that "the mastery of the art must be a matter of ultimate concern ...
As a result, several companies have emerged to assist filmmakers in getting independent movies seen and sold via mainstream internet marketplaces, often adjacent to popular Hollywood titles. With internet movie distribution, independent filmmakers who choose to forego a traditional distribution deal now have the ability to reach global audiences.
The colour wheel theory of love is an idea created by the Canadian psychologist John Alan Lee that describes six love [1] styles, using several Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary, and nine tertiary love styles ...
Falling in love is the development of strong feelings of attachment and love, usually towards another person. The term is metaphorical, emphasizing that the process, like the physical act of falling, is sudden, uncontrollable and leaves the lover in a vulnerable state, similar to "fall ill" or "fall into a trap". [1]
As a less sexual and more emotionally intimate form of romantic attachment, love is commonly contrasted with lust. As an interpersonal relationship with romantic overtones, love is sometimes contrasted with friendship, although the word love is often applied to close friendships or platonic love. Further possible ambiguities come with usages ...
Because relationships are rewarding and evolutionarily necessary, and rejection is a stressful process, people are generally biased toward making decisions that uphold and further facilitate intimate relationships. [46] These biases can lead to distortions in the evaluation of a relationship.
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Crystallization is a concept, developed in 1822 by the French writer Stendhal, which describes the process, or mental metamorphosis, in which the characteristics of a new love are transformed into perceptual diamonds of shimmering beauty.