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The main commissions for gold work and jewelry came from the Court or the Church. [18] As such, much of the jewelry was very religious, involving ornate crosses and depictions of the afterlife or of saints' lives. [19] The Byzantines excelled in inlaying and their work was enormously opulent, involving precious stones, glass and gold. [20]
Fortunato Pio Castellani (1794–1865) is regarded as the forefather of the family. In 1814, Fortunato opened his own workshop in Rome. The progenitor specialized in the creation of jewels emulating the ones that then came to light from the necropolis of Etruria, that were found in the excavations of Pompeii and Herculaneum or that could be observed in the Campana collection.
The most common forms of metal in Scottish jewellery are silver, enamel, gold and pewter. [9] [10] These are often the backing to a stone setting in the case of rings and brooches, but can also provide decoration through casting and other decorative methods. Gold can be found in Scotland around the areas of Lowther Hills, Wanlockhead, and ...
Distinguished goldsmiths continued to flourish, however, as wealthier patrons sought to ensure that what they wore still stood apart from the jewellery of the masses, not only through use of precious metals and stones but also though superior artistic and technical work. One such artist was the French goldsmith François-Désiré Froment ...
Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
The Copper Age Varna culture from the 5th millennium BC is credited with the earliest found instances of gold metallurgy. [1] [2] The associated Varna Necropolis treasure contains the oldest golden jewellery in the world with an approximate age of over 6,000 years. [3] [4] Aztec father teaches his son to cast gold
Certain attributes of Celtic jewellery, such as inlaid millefiori glass and curvilinear styles have more in common with ancient brooches than contemporary Anglo-Saxon jewellery. [18] The jewellery of Celtic artisans is renowned for its inventiveness, complexity of design and craftsmanship. The Tara Brooch is a well-known example of a Celtic ...
From the Middle Ages through the early twentieth century, memorial hair jewelry remained common. Hair, considered to be a remnant off the person it was cut from, also has often played a part in myths and legends; in a Swedish book of proverbs, one can read that “rings and bracelets of hair increase love” (Vadstena stads tankebok). [ 1 ]