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Song Album Musical artist Literary work Author Comments Citations "7th Step" Songs Inspired by Literature, Chapter One: Deborah Pardes: Angela's Ashes: Frank McCourt [29] "40" War: U2: The 40th Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [30] "1984" Diamond Dogs: David Bowie: Nineteen Eighty-Four: George Orwell
Animal song is not a well-defined term in scientific literature, and the use of the more broadly defined term vocalizations is in more common use. Song generally consists of several successive vocal sounds incorporating multiple syllables . [ 1 ]
bionics, from biology and electronics; botox, from botulinum and toxin [5] brinicle, from brine and icicle; caplet, from capsule and tablet [53] carborundum, from carbon and corundum; cermet, from ceramic and metal; chemokine, from chemotactic and cytokine; clopen set, from closed-open set; contrail, from condensation and trail
"The Song of a Wandering Aengus" is set to music by Caroline Herring. '5 Songs on Poems by W.B.Yeats' composed by Dutch composer Carolien Devilee (A Faery Song, He wishes for the clothes of heaven, The lake isle of Innisfree, To his heart, bidding it have no fear & The everlasting voices)
In the eighteenth century, a separate genre of children's literature, including poetry, began to emerge. [7] As before, many works of children's poetry were written to teach children moral virtues. Isaac Watts' Divine Songs are an example of this concept. [1] They were reprinted for a 150 years, in six or seven hundred editions. [1]
Dia Dipasupil/Getty Images Before The Tortured Poets Department was ever a glimmer in Taylor Swift’s eye, the singer peppered her music with references to classic literature. As early as 2006 ...
A children's song may be a nursery rhyme set to music, a song that children invent and share among themselves or a modern creation intended for entertainment, use in the home or education. Although children's songs have been recorded and studied in some cultures more than others, they appear to be universal in human society.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.