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Wanesia Spry Misquadace (Fond du Lac Ojibwe), jeweler and birch bark biter, 2011 [1]Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States.
Evan M. Maurer, "Determining Quality in Native American Art" in The Arts of the North American Indian: Native Traditions in Evolution, ed. Paul Anbinder, New York: Philbrook Art Center, 1986. Marian E. Rodee, Old Navajo Rugs: Their Development from 1900 to 1940, Albuquerque: University of New Mexico Press, 1983.
Native American activists fought to strengthen protections against fraud which resulted in the 1990 Indian Arts and Crafts Act (IACA), which makes it "illegal to offer or display for sale, or sell, any art or craft product in a manner that falsely suggests it is Indian produced, an Indian product, or the product of a particular Indian or Indian ...
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams. ISBN 978-0-8109-3689-8. Fundaburk, Emma Lila; Foreman, Mary Douglass Fundaburk (2001) [1957]. Sun Circles and Human Hands: the Southeastern Indians - Art and Industry. Tuscaloosa: University of Alabama Press. ISBN 978-0-8173-1077-6.
Guna tribal members of Panama and Colombia are famous for their molas, cotton panels with elaborate geometric designs created by a reverse appliqué technique. Designs originated from traditional body art designs but today exhibit a wide range of influences, including pop culture. Two mola panels form the bodice of a blouse.
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