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The song appeared first as "Vom Himmel kompt / O Engel kompt" (From Heaven come, O angels come) in a Catholic collection of songs printed in Würzburg in 1622. [1] Similar to the Advent song "O Heiland, reiß die Himmel auf", it belongs to a group of anonymous songs from the beginning of the 17th century which recent scholarship has attributed to Friedrich Spee, [2] [3] however without certainty.
I hear music in the air (I hear music in the air) Up above my head (up above my head) I hear music in the air (I hear music in the air) I really do believe (I really do believe) There's a Heaven up there." Each additional verse is the same as the first, the word "music" replaced with another word (such as "singing," "shouting," et cetera).
Rutter, who composed many works to celebrate Christmas, wrote his own text for Angels' Carol, beginning "Have you heard the sound of the angel voices". [1] The text alludes to several aspects of the Christmas story, with the Latin refrain "Gloria in excelsis Deo" from the angels' song mentioned in the Gospel of Luke narration of the annunciation to the shepherds.
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Chants de Terre et de Ciel (Songs of Earth and Heaven) is a song cycle in six movements for soprano and piano by Olivier Messiaen, on text by the composer himself.It was composed in 1938 [1] and premiered at the Société Triton's Concerts du Triton, at the École Normale de Musique de Paris in Paris on the 23 January 1939 with Marcelle Bunlet as the soprano and the composer at the piano.
Brightest and best of the sons a of the morning; Dawn on our darkness and lend us thine aid; Star of the East, the horizon adorning, Guide where our infant Redeemer is laid. Cold on His cradle the dewdrops are shining; Low lies His head with the beasts of the stall; Angels adore Him in slumber reclining, Maker and Monarch and Savior of all!
"The Angel God Sent From Heaven" is a World War I era American song published in 1918. Frank L. Ventre composed the music, while Paul A. Smith and Robert Levenson wrote the lyrics. It was published by Jack Mendehlsohn Music Company in Boston, Massachusetts. [1] The song was written for both voice and piano.
Jones's fondness for gospel music is well documented. The singer revealed to Jessica Walden of The 11th Hour magazine that his first musical memory was singing in church with his mother Clara and, in the 1989 documentary Same Ole Me, he recalls that he learned how to play the guitar at the church where his mother, a devout woman, played piano.
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