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[1] [2] Ethiopian crosses are almost always made from elaborate latticework, the intertwined lattice represents everlasting life. [3] No two crosses are exactly identical in style, the artisans who make them being allowed the freedom to exercise a measure of individual taste and creativity in their choice of shape and pattern.
In heraldry, the cross is also called the Santiago cross or the cruz espada (English: sword cross). [1] It is a charge, or symbol, in the form of a cross.The design combines a cross fitchy or fitchée, one whose lower limb comes to a point, with either a cross fleury, [2] the arms of which end in fleurs-de-lis, or a cross moline where the ends of the arms are forked and rounded.
The sign of the cross is expected at two points in the Mass: the laity sign themselves during the introductory greeting of the service and at the final blessing; optionally, other times during the Mass when the laity often cross themselves are during a blessing with holy water, when concluding the penitential rite, in imitation of the priest ...
The geometric patterns of quilts can be seen in the patterns of many hex signs. Hearts and tulips seen on barns are commonly found on elaborately lettered and decorated birth, baptism, and marriage certificates known as fraktur. [4] Throughout the 20th century, hex signs were often produced as commodities for the tourist industry in Pennsylvania.
The original Coptic cross used by early Gnostic Christians in Egypt. Old Coptic crosses often incorporate a circle, [5] [better source needed] as in the form called a "Coptic cross" by Rudolf Koch in his The Book of Signs (1933). Sometimes the arms of the cross extend through the circle (dividing it into four quadrants), as in the "Celtic cross".
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Knot patterns first appeared in the third and fourth centuries AD and can be seen in Roman floor mosaics of that time. Interesting developments in the artistic use of interlaced knot patterns are found in Byzantine architecture and book illumination , Coptic art , Celtic art, Islamic art , Kievan Rus' book illumination, Ethiopian art , and ...
Three variants of obelus glyphs. The dagger symbol originated from a variant of the obelus, originally depicted by a plain line − or a line with one or two dots ÷. [7] It represented an iron roasting spit, a dart, or the sharp end of a javelin, [8] symbolizing the skewering or cutting out of dubious matter.