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The painting depicts an apathetic Parisian demi mondaine having a bath. Above the tub there are, fixed to the wall, a swan-shaped tap and a white fixture in the shape of a shell. Instead of holding a bath brush, the model holds two white roses in her right hand, which crosses her body and leans against the tub's side.
Self-portrait with his wife, Marie-Suzanne Giroust, painting Henrik Wilhelm Peill, at and by Alexander Roslin Aiding a Comrade , at and by Frederic Remington Cymon and Iphigenia , by Frederic Leighton
Tom Wesselmann und die Pop Art : pictures on the wall of your heart (in German and English). Ravensburg, Germany: Städtische Galerie. ISBN 978-3-936859-42-3. Tom Wesselmann. Still Life, Nude, Landscape: The Late Prints. London: Alan Cristea Gallery. 2013. ISBN 978-0-957508-51-4.
The painting's composition takes a pyramidal formation, with the three figures, who are blonde, dark and red-haired, having been framed by the two trees on either side of the painting. Light enters the wooded area from various angles, illuminating the bodies of the bathers and reflecting in the water.
The Blue Room (French: La chambre bleue) is a 1901 oil on canvas painting by Pablo Picasso, which he painted during his Blue Period. It depicts a scene of a nude woman bending over in a bath tub. A hidden painting was revealed beneath the surface by x-ray images and infra-red scans, showing a portrait of a bearded man.
Art historian John Wilmerding wrote, "Such close attention by a painter to one model over so long a period of time is a remarkable, if not singular, circumstance in the history of American art". [1] For art critic James Gardner, Testorf "has the curious distinction of being the last person to be made famous by a painting". [9]
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