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Dio Chrysostom, in his fourth oration on kingship, [17] ascribes a simple moral to the anecdote: people who are naturally outspoken and forthright respect others like themselves, whereas cowards regard such people as enemies.
The Cambridge Companion to Modern Russian Culture; section "Popular Culture" discusses Russian narrative jokes (anekdot) and chastushkas: ... further "wise fool" figures, such as brave Red Army commander Chapayev, hippies, Cheburashka and Cornet Rzhevsky have replaced Ivan the Fool "Eros and Pornography in Russian Culture."
An anecdote [1] [2] is "a story with a point", [3] such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait.
Jessie Coulson, in the introduction to a 1966 Penguin publication that includes the story, states of "A Nasty Story": Its theme is the terrible gulf between a man's idea of himself, his ideals, and his motives, and what they prove to be in the harsh light of reality.
Russian political jokes are a part of Russian humour and can be grouped into the major time periods: Imperial Russia, Soviet Union and post-Soviet Russia.In the Soviet period political jokes were a form of social protest, mocking and criticising leaders, the system and its ideology, myths and rites. [1]
In the legal sphere, anecdotal evidence, if it passes certain legal requirements and is admitted as testimony, is a common form of evidence used in a court of law.Often this form of anecdotal evidence is the only evidence presented at trial. [30]
To deal with the yakuza assassin who is still following them, Molly leads Johnny to the Lo Teks, a group of anti-technology outcasts who live in a suspended hideout near the top of the geodesic domes covering the Sprawl. At Molly's request, the Lo Teks allow the assassin to climb up so she can face him on the "Killing Floor," a sprung-floor ...
The Anecdote (Azerbaijani: Lətifə, Russian: Анекдот) is a full-length Azerbaijani film shot in Baku in 1989. Made in the tragic comedy genre, this film is about the dysfunctional Soviet management system in Azerbaijan SSR at the end of 1980s and about the decadence and corruption of the Soviet bureaucracy.