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Prior to 9400 BCE, Niger-Congo speakers independently created and used matured ceramic technology [27] [28] (e.g., pottery, pots) to contain and cook grains (e.g., Digitaria exilis, pearl millet); [27] [29] ethnographically and historically, West African women have been the creators of pottery in most West African ceramic traditions [30] [31 ...
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Because pottery is so durable, pottery and shards of pottery survive for millennia at archaeological sites, and are typically the most common and important type of artifact to survive. Many prehistoric cultures are named after the pottery that is the easiest way to identify their sites, and archaeologists develop the ability to recognise ...
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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
Mangbetu women and men make their pots and jars using relatively coarse-textured clay entirely by hand, either by building the clay up in rings or using a variation of the hammer-and-anvil technique. They mold the heads and figures on the openings and handles, while the patterns on the surface are carved using small tools, such as shell ...
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