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A definition of an open-source film is based on the OSI's open-source software definition [1] and the definition of free cultural licenses. [2] This definition can be applied to films where: The license of the movie is approved for free cultural works. Specifically this is true for the Creative Commons licenses by and by-sa.
Dawn of the Dead (1978) Watch: Dawn of the Dead (1978) Genres: Horror, Thriller. IMDb rating: 7.8/10 Rated: Unrated. Dawn of the Dead is a 1978 zombie horror film written, directed, and edited by ...
First open-source movie [citation needed], created with Blender open-source software The Good Girl: 2004 Pornography Spain English 21 minutes No Juju Factory: 2007 Democratic Republic of the Congo 97 minutes CC BY-SA Sintel: 2010 Animation Netherlands English 14 minutes CC BY 3.0 Yes : Yes Yes Created with Blender Sita Sings the Blues: March ...
Pages in category "Films set in hospitals" The following 200 pages are in this category, out of approximately 210 total. ... By using this site, you agree to the ...
All helped create and elevate an entire genre of neato scary movies. But horror flicks since 2001 have been revolutionary in their own way, using technology and modern issues to examine the darker ...
D. The Daffy Doc; Dar Emtedad-e Shab; Dead Ringers (film) Death Nurse; Death Nurse 2; Death Wish (2018 film) Dekalog: Two; Desperate Measures (film) The Devil Is a Sissy
The most common use of the technique is in horror films, such as The Blair Witch Project, Cannibal Holocaust, Paranormal Activity, Diary of the Dead, Rec, Cloverfield, Trollhunter, V/H/S, and Incantation, in which the footage is purported to be the only surviving record of the events, with the participants now missing or dead.
Horror Noire: A History of Black Horror is a 2019 American documentary film directed by Xavier Burgin and based on the 2011 non-fiction book Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman. [3] [4] The film examines the evolution of the genre of black horror.
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