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Maut Ka Manzar maa Marnay Ke Baad Kya Hoga (Urdu: موت کا منظر مع مرنے کے بعد کیا ہو گا) is a 1973 Urdu Islamic book by Khawaja Muhammad Islam. [1] The book has been translated into several languages, including English under the title The Spectacle of Death and Glimpses of Life Hereafter .
Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Umrao Jaan Ada (Urdu: اُمراؤ جان ادا) is an Urdu novel by Mirza Hadi Ruswa (1857–1931), first published in 1899. [1] It is considered the first Urdu novel by many [2] and tells the story of a tawaif and poet by the same name from 19th century Lucknow, as recounted by her to the author.
Through this ambiguity of personhood, the beloved is an ideal of love where deeper reflections of life, death, and god can be expressed. [14] Therefore, love in the ghazal is not only that of factual human love affairs (ishq-e-mijazi), but also of a divine union and mystical transcendence (ishq-e-haqaqi). [23]
During his collage life, he was reciting poems he used to wrote, and later in 1958 he published his first poetry book titled Sadaf. [4] Later, he continued working on publishing poems. His prominent poems or poetry books include Sadaf , Sitar , Bhujti Ankhain , Jalti , Tuta Huwa Pal , and Utray Meri Khak Per .
Upon Daagh's death, many of his numerous disciples clamored for the honor of being his jaa-nasheen (successor to his title and reputation as the greatest living Urdu poet); in his own memoirs, Bekhud reproaches many of Daagh's disciples for the manner in which they squabbled, and himself chose to remain aloof from the debate. [3]