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This scene appears to have been copied from a 19th-century south Indian painting. It combines elements of European design (the chandeliers) with decorative features (the arch) characteristic of Indian art of the Mughal period (1526-1857). The figures depicted in this panel and others in the series are all characters from Hindu mythology.
Mitra, the god of oaths, promises, and friendships; Varuna, the god of water the seas, the oceans, and rain; Indra, also called Śakra, the king of gods, and the god of weather, storms, rain, and war; Savitr, the god of the morning sun; associated with Surya; Aṃśa, solar deity; associated with Surya; Aryaman the god of customs, hospitality ...
'Lord of the Universe'; formerly English: Juggernaut) is a deity worshipped in regional Hindu traditions in India as part of a triad along with his (Krishna's) brother Balabhadra, and sister, Subhadra. Jagannath, within Odia Hinduism, is the supreme god, Purushottama, [1] [2] [3] and the Para Brahman.
Ganesha is mentioned in Hindu texts between the 1st century BCE and 2nd century CE, and a few Ganesha images from the 4th and 5th centuries CE have been documented by scholars. [13] Hindu texts identify him as the son of Parvati and Shiva of the Shaivism tradition, but he is a pan-Hindu god found in its various traditions.
Kubera is the treasurer of the gods, and the overlord of the semi-divine yakshas, the guhyakas, kinnaras and gandharvas, who act as his assistants and protectors of the jewels of the earth, as well as guardians of his city. Kubera is also the guardian of travelers and the giver of wealth to individuals, who please him.
Angala Devi, also known as Angalamman and Angala Paramesvari, is an aspect of the Hindu goddess Parvati, primarily worshipped in the villages of South India as a kaval deivam, a guardian deity. She is often additionally considered to be an aspect of one of the Matrikas .
Tvashtr (Sanskrit: त्वष्टृ, IAST: Tvaṣṭṛ) or Tvashta (Sanskrit: त्वष्टा, IAST: Tvaṣṭā) is a Vedic Hindu artisan god or fashioner. He is mentioned as an Aditya (sons of goddess Aditi) in later Hindu scriptures like the Mahabharata and Puranas, though his significance gets reduced.
A painting of Lord Ayyappan is depicted in Yogapattasana, a sacred yogic posture. Ayyappan is a warrior deity and is revered for his ascetic devotion to Dharma, the ethical and right way of living, to deploy his military genius and daring yogic war abilities to destroy those who are powerful but unethical, abusive and arbitrary. [14]