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A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Tag (barbershop music) Tarantella Napoletana; Tasto solo; Tempo; Tenor; Terp (music industry jargon) Territory band; Terzschritt; Tetrad (music) Text declamation; Thirty-two-bar form; Titling; Tone (musical instrument) Tonus peregrinus; Treble voice; Triad (music) Trumpet voluntary; Tutti
Comes before other terms; e.g. poco diminuendo ("a little diminishing") poco a poco: little by little "Slowly but steadily." Comes before other terms; e.g. poco a poco crescendo ("increasing little by little") ma non tanto: but not so much: Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Genesis of a Music is a book first published in 1949 by microtonal composer Harry Partch (1901–1974). Partch first presents a polemic against both equal temperament and the long history of stagnation in the teaching of music ; according to Alex Ross , this is "the most startling forty-five-page history of music ever written".
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A musical interpretation of the first eleven chapters of the Book of Genesis, the suite was a collaborative work by seven composers, some of whom wrote film music in Hollywood. The project was conceived by Nathaniel Shilkret, a noted conductor and composer of music for recording, radio and film. Shilkret wrote one of the seven pieces and ...
For a positive odd number n, the n-odd-limit contains all rational numbers such that the largest odd number that divides either the numerator or denominator is not greater than n. In Genesis of a Music, Harry Partch considered just intonation rationals according to the size of their numerators and denominators, modulo octaves. [2]