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As Dionysus Eleutherius ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. [6] His thyrsus , a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Help. Pages in category "Epithets of Dionysus" The following 11 pages are in this ...
The triumph of Dionysus, depicted on a 2nd-century Roman sarcophagus. Dionysus rides in a chariot drawn by panthers; his procession includes elephants and other exotic animals. The Dionysiaca / ˌ d aɪ. ə. n ɪ ˈ z aɪ. ə. k ə / (Ancient Greek: Διονυσιακά, Dionysiaká) is an ancient Greek epic poem and the principal work of Nonnus.
Download as PDF; Printable version; In other projects Wikimedia Commons; Appearance. ... Pages in category "Dionysus" The following 33 pages are in this category, out ...
Dionysus, called Narcissus (Italian: Dioniso, così detto Narciso) is a bronze ancient Roman statuette, created between the 1st century BC. and 1st century AD e.. It was found during excavations in Pompeii in 1862.
Howbeit certain men clave unto him, and believed: among the which was Dionysius the Areopagite, and a woman named Damaris, and others with them. After his conversion, Dionysius became the first Bishop of Athens, [3] though he is sometimes counted as the second after Hierotheus. He is venerated as a saint in the Catholic and the Eastern Orthodox ...
Calybe – another follower of Dionysus in the Indian War. [19] Chalcomede – when she followed Dionysus in his Indian campaign, the Indian general Morrheus, hit by one of Eros' arrows, fell in love with her, and when he was about to seize her a serpent darted out of her bosom to protect her. [20] Charopeia – leader of the Bacchic dance. She ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...