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[3] "Four Abstract Classicists reveals, in retrospect, not merely four senior moderns who reduced their painting to precise, flat profundities, but a current of sensibility in the esthetic climate of Los Angeles," critic Peter Plagens wrote in 1974. As he saw it, the hard-edge style rose from Los Angeles’ "desert air, youthful cleanliness ...
Ba Kyi, FRSA (Burmese: ဘကြည် [ba̰ tɕì]; 17 July 1912 – 15 April 2000) was a well-known and prolific Burmese artist. He was initially trained in western painting, but in the post-World War II independence period, he initiated a revival of Traditional painting, borrowing from the Western training he had received as well as his own cultural heritage of painting styles and techniques.
Ronald "Ron" Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, [1] [2] hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions.
The term “Hard-edge painting” was coined in 1959 [3] by writer, curator, and Los Angeles Times art critic Jules Langsner, along with Peter Selz, to describe the work of several painters from California who adopted a knowingly impersonal paint application and delineated areas of color with particular sharpness and clarity.
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It is estimated that only 2–3% of fore-edge paintings are doubled. [6] [4] A triple fore-edge painting has, in addition to paintings on the edges, a third painting applied directly to the edges (in lieu of gilt or marbling). An edge painting that is a continuous scene wrapped around more than one edge is called a panoramic fore-edge painting.
Frank Philip Stella (May 12, 1936 – May 4, 2024) was an American painter, sculptor, and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction.
Thus, after Win and Paw Oo Thet expressed interest in modernist art, Ba Thet sent the two boys to Kin Maung (Bank) for periodic instruction in more modern concepts of painting. [2] [4] Ba Thet was also the teacher of the major painter Ba Yin Galay and the highly regarded painter Shwe Aung Thein, both of whose work took experimental turns.
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