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Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos , three of his symphonies and two of his ten operas, are among his most familiar works.
While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th ...
List of music students by teacher: N to Q; List of music students by teacher: R to S; List of music students by teacher: T to Z; List of prize-winners of the International Johann Sebastian Bach Competition; List of Sun Aria winners; List of African-American women in classical music; List of centenarians (musicians, composers and music patrons)
Pyotr Ilyich Tchaikovsky [n 1] (/ tʃ aɪ ˈ k ɒ f s k i / chy-KOF-skee; [2] 7 May 1840 – 6 November 1893) [n 2] was a Russian composer during the Romantic period.He was the first Russian composer whose music made a lasting impression internationally.
Chamber music by Pyotr Ilyich Tchaikovsky (1 C, 3 P) Choral compositions by Pyotr Ilyich Tchaikovsky (4 P) Compositions by Pyotr Ilyich Tchaikovsky published posthumously (8 P)
This is a list of composers of the Classical music era, roughly from 1730 to 1820.Prominent classicist composers [1] [2] [3] include Christoph Willibald Gluck, Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart, Luigi Boccherini, Ludwig van Beethoven, Niccolò Paganini, Gioachino Rossini and Franz Schubert.
This is a list of classical music composers by era. [1] [2] [3] [4] With the exception of the overview, the Modernist era has been combined with the Postmodern ...
Here Tchaikovsky harnessed the harmonic, melodic and rhythmic quirks of Ukrainian folk music to produce an opening movement massive in scale, intricate in structure and complex in texture—what Brown calls "one of the most solid structures Tchaikovsky ever fashioned" [47] —and a finale that, with the folk song "The Crane" offered in an ever ...