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One can either walk or use a buzz-step; one partner may walk while the other uses the buzz-step. For the buzz-step, the right foot takes only small steps, with the partner's right foot to the right of it. The left foot pushes against the ground repeatedly, moving the dancer in a circle clockwise. Weight is very important in this figure.
That is, when the first goes up, the second goes down the same number of diatonic steps (with some chromatic alteration); and when the first goes down, the second goes up the same number of steps. In music theory , an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines ...
Media controls on a multimedia keyboard. From top; left to right: skip backward, skip forward, stop, play/pause. Media control symbols are commonly found on both software and physical media players, remote controls, and multimedia keyboards. Their application is described in ISO/IEC 18035. [1]
Octave doubling is sometimes done in power chords. Power chords are often pitched in a middle register. Shown above are four examples of an F5 chord. The letter names above the chords only indicate which different voicing is being used, and should not be conflated with the chord names typically used in popular music (e.g., C Major, B minor, etc.)
The terms "inside turn" and "outside turn" apply only to an individual turn of a partner, not to a turn of a couple. They occur in Latin dances and in American style . An "inside turn" is a turn that begins with the held hands (often the leader's left and the follower's right) moving toward the "inside" of the couple (along the imaginary line ...
A natural turn is a dance step in which the partners turn around a common center clockwise. Its near-mirror counterpart is the reverse turn, which is turning counter-clockwise. [1] This terminology is used mainly in the "International Standard" group of ballroom dances. [2] "
While all dancers in the room are part of the same dance pattern, half of the couples in the room are moving toward the band at any moment and half are moving away, so when everybody steps forward, they find new people to dance with. Once a couple reaches the end of the set, they switch direction, dancing back along the set the other way.
Four and one half steps down from standard Drop A. Used by Within the Ruins on the album Phenomena with the variation C-F-c-f-A♯-D-G. Drop B0 – B-F ♯-B-E-A-C ♯-F ♯ / B-G ♭-B-E-A-D ♭-G ♭ Five full steps down from standard Drop A. Six full steps (one octave) down from a baritone Drop B guitar; Drop A