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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Some lists of common words distinguish between word forms, while others rank all forms of a word as a single lexeme (the form of the word as it would appear in a dictionary). For example, the lexeme be (as in to be ) comprises all its conjugations ( is , was , am , are , were , etc.), and contractions of those conjugations. [ 5 ]
Diction (Latin: dictionem (nom. dictio), "a saying, expression, word"), [1] in its original meaning, is a writer's or speaker's distinctive vocabulary choices and style of expression in a piece of writing such as a poem or story. [2] [3] In its common meaning, it is the distinctiveness of speech: [3] [4] [5] the art of speaking so that each ...
Reading is the process of taking in the sense or meaning of symbols, often specifically those of a written language, by means of sight or touch. [1] [2] [3] [4]For educators and researchers, reading is a multifaceted process involving such areas as word recognition, orthography (spelling), alphabetics, phonics, phonemic awareness, vocabulary, comprehension, fluency, and motivation.
The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia ; and the ...
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Closely reading books, Prose studied word choice and sentence construction. Close reading helped her solve difficult obstacles in her own writing. Chapter Two: Words; Prose encourages the reader to slow down and read every word. She reminds the reader that words are the "raw material out of which literature is crafted."
In the 1920s flash fiction was referred to as the "short short story" and was associated with Cosmopolitan magazine, and in the 1930s, collected in anthologies such as The American Short Short Story. [8] Somerset Maugham was a notable proponent, with his Cosmopolitans: Very Short Stories (1936) being an early collection.