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The March of Progress, [1] [2] [3] originally titled The Road to Homo Sapiens, is an illustration that presents 25 million years of human evolution. It was created for the Early Man volume of the Life Nature Library, published in 1965, and drawn by the artist Rudolph Zallinger. It has been widely parodied and imitated to create images of ...
Nature versus nurture is a long-standing debate in biology and society about the relative influence on human beings of their genetic inheritance (nature) and the environmental conditions of their development .
People have been found to perceive images with spiritual or religious themes or import, sometimes called iconoplasms or simulacra, in the shapes of natural phenomena. The images perceived, whether iconic or aniconic , may be the faces of religious notables or the manifestation of spiritual symbols in the natural, organic media or phenomena of ...
At all times in human history, the human body has been one of the principal subjects for artists. It has been represented in paintings and statues since prehistory. Venus figurines are well-known examples from this era. For the ancient Greeks, male nudity was considered heroic and sensually pleasing. This attitude is reflected in their artworks ...
Aesthetics of nature developed as a sub-field of philosophical ethics. In the 18th and 19th century, the aesthetics of nature advanced the concepts of disinterestedness, the pictures, and the introduction of the idea of positive aesthetics. [1] The first major developments of nature occurred in the 18th century.
Nature Via Nurture: Genes, Experience, and What Makes us Human is a 2003 book by Matt Ridley, in which Ridley discusses the interaction between environment and genes and how they affect human development.
Behavioral epigenetics is the field of study examining the role of epigenetics in shaping animal and human behavior. [1] It seeks to explain how nurture shapes nature, [2] where nature refers to biological heredity [3] and nurture refers to virtually everything that occurs during the life-span (e.g., social-experience, diet and nutrition, and exposure to toxins). [4]
Humanist photography "affirms the idea of a universal underlying human nature". [3] Jean Claude Gautrand describes humanist photography as: [ 4 ] a lyrical trend, warm, fervent, and responsive to the sufferings of humanity [which] began to assert itself during the 1950s in Europe, particularly in France ... photographers dreamed of a world of ...