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Buddhaghosa states in his commentary and meditation treatise, the Visuddhimagga, that there are many different types and aspects of paññā but does not define them all. [6] Buddhaghosa specifies paññā in relation to Buddhist meditation as being specifically vipassanā-paññā ("insight wisdom"), meaning insight knowledge endowed with ...
The Sanskrit word प्रज्ञा (Prajña) is the compound of "प्र (pra-)" which prefix means – before, forward, fulfiller, and used as the intensifier but rarely as a separate word [1] and "ज्ञ (jna)" which means - knowing or familiar with. [2]
Similar concepts exist in various cultures, including the Latin anima ("breath", "vital force", "animating principle"), Islamic and Sufic ruh, the Greek pneuma, the Chinese qi, the Polynesian mana, the Amerindian orenda, the German od, and the Hebrew ruah. [29] Prāṇa is also described as subtle energy [30] or life force. [31]
Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. [4]: 43
Expositions of the hidden meaning which become the more frequent the more the original meaning becomes obscured; Any reference to the Dharma body of the Buddha as anything different from a term for the collection of his teachings; A more and more detailed doctrine of the graded stages of a Bodhisattva's career.
[1] [2] It is a discourse [3] used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics.
The New Critic I. A. Richards refers to 'Symplegades' in his work Practical Criticism.In Chapter 2, 'Figurative Language', he refers to dangers of misinterpretation in reading poems: "These twin dangers - careless, 'intuitive' reading and prosaic, 'over-literal' reading - are the Symplegades, the 'justling rocks', between which too many ventures into poetry are wrecked."
Isis and Telethusa by Picart, 1732.. In Greek and Roman mythology, Iphis (/ ˈ aɪ f ɪ s / EYE-fis or / ˈ ɪ f ɪ s / IF-iss; Ancient Greek: Ἶφις, romanized: Îphis, gen. Ἴφιδος Íphidos) was a child of Telethusa and Ligdus in Crete, born female and raised as male, who was later transformed by the goddess Isis into a man.