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Bharat Mata is a work painted by the Indian painter Abanindranath Tagore in 1905. However, the painting was first painted by Bankim Chandra Chattopadhyay in the 1870s. The work depicts a saffron-clad woman, dressed like a sadhvi, holding a book, sheaves of paddy, a piece of white cloth, and a rudraksha garland (mala) in her four hands.
Mauryan art is art produced during the period of the Mauryan Empire, the first empire to rule over most of the Indian subcontinent, between 322 and 185 BCE. It represented an important transition in Indian art from the use of wood to stone. It was a royal art patronized by Mauryan kings, most notably Ashoka. Pillars, stupas and caves are its ...
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550.The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. [2]
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara , influenced by Hellenistic artistic canons, and the more Indian art of Mathura . [ 2 ]
The history of Ancient Greek pottery is divided stylistically into periods: the Protogeometric, the Geometric, the Late Geometric or Archaic, the Black Figure, and the Red Figure. Ancient Greek art has survived most successfully in the forms of sculpture and architecture, as well as in such minor arts as coin design, pottery, and gem engraving.
The art of Mathura continued to become more sophisticated during the Gupta Empire, between the 4th and 6th centuries CE. The pink sandstone sculptures of Mathura evolved during the Gupta period (4th to 6th century CE) to reach a very high fineness of execution and delicacy in the modeling, displaying calm and serenity. [ 226 ]
The first Indo-Greek kings, also sometimes called "Indo-Bactrian", from Demetrius I (200–190 BCE) to Eucratides (170–145 BCE) ruled simultaneously,the areas of Bactria and northwestern India, until they were completely expelled from Bactria and the eastern Bactrian capital city of Ai-Khanoum by invading nomads, probably the Yuezhi, or possibly the Sakas, circa 145 BCE.
The exact origin of Kalighat painting is a matter of debate and speculation among art critics and historians, for there exists no historical account which records a specific date or traces the beginnings of this type of painting, which was established by the patuas at Kalighat. Material evidence such as the type of paper and colors used in the ...